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URM Podcast

TIAGO CARVALHO: His sub-$1000 DIY studio, fixing mix translation, and working with major labels

By Nail the Mix Staff

URM Podcast

TUE MADSEN: Recording Meshuggah Live, The Swimming Pool Drum Room, Why Feel Trumps Perfection

By Nail the Mix Staff

Nail The Mix

Make Your Recording 50% Better With These 5 Tips (Part 1)

By Nail the Mix Staff

URM Podcast

BRIAN HOOD: The business of audio, how to set your rates, overcoming imposter syndrome

By Nail the Mix Staff

URM Podcast

BOB MARLETTE: Working with Rob Zombie, The Producer’s Real Job, and Songwriting Before Gear

By Nail the Mix Staff

URM Podcast

TAYLOR LARSON: His drum recording secrets, handling unprepared musicians, and mixing bass & guitar

By Nail the Mix Staff

URM Podcast

JUSTIN COLLETTI: The Business of Creativity, Why Amateurs Aren’t Your Competition, and the Problem with Hi-Res Audio

By Nail the Mix Staff

URM Podcast

Kyle Black: Mixing Volumes, The Producer Hustle, and Vocal Compression Secrets

By Nail the Mix Staff

Nail The Mix

Making Digital Sound Analog – The Best Of Both Worlds

By Nail the Mix Staff

URM Podcast

Kyle Black: What Makes a Great Intern, Tracking Massive Guitars, and Why He Avoids Reamping

By Nail the Mix Staff

Nail The Mix

Recording Guitars – Silent Recording Options (Part 2)

By Nail the Mix Staff

URM Podcast

BEN UMANOV: Building MetalSucks, The Business of Music Media, and Networking in the Digital Age

By Nail the Mix Staff