May 2020 Collab Smash Results!

The Winners of May 2020 Collab Smash are… programmed drum roll please Team 127 Ghost Note with their track “You Dsub Of A B_tch”!

Shout out to the members of Team 127 Ghost Note: Adam Barnes, Max Moujaes, Matze Schilling, James Kirsch, Romain Saule and Merijn Aap!

Listen to the top 5 runners-up here

Thanks to our friends at Room Sound!

What is Collab Smash?

Collab Smash is a monthly competition that takes place in the URM Trading Grounds.

Teams of 2-6 URM members collaborate to write an original song based on a new challenge every month. The winning team members get a cool prize, and everybody has fun and makes new friends!

June’s challenge: create a song in the style of Rammstein, and hopefully dethrone the reigning champion, Team 127 Ghost Note!

Join Collab Smash!

You’re invited! Just click here to join the URM Trading Grounds, find your teammates and dethrone the champs!

January 2020 Collab Smash Results!

The Winners of January 2020 Collab Smash are… programmed drum roll please Team Wink183 with their track “The Wolf”!

Shout out to the members of Team Wink 183: Mitch Dolan, Kieran Giles, Ryan Jordan, Nikita Zinevich & Dan Cain!

Listen to the top 5 runners-up here

What is Collab Smash?

Collab Smash is a monthly competition that takes place in the URM Trading Grounds.

Teams of 2-6 URM members collaborate to write an original song based on a new challenge every month. The winning team members get a cool prize, and everybody has fun and makes new friends!

January’s challenge: create a song in the style of Angels & Airwaves! The winners each receive a copy of Pawn Shop Comp from Korneff Audio.

February’s Collab Smash does a complete 180: The prompt is to create a song in the style of Humanity’s Last Breath or Vildjharta, and the winners get a copy of DjinnBass from Submission Audio!

Join Collab Smash!

You’re invited! Just click here to join the URM Trading Grounds, find your teammates and dethrone Team Wink 183!

December 2019 Collab Smash Results!

The Winners of December 2019 Collab Smash are… programmed drum roll please TEAM CANADA with their track “Bury Yourself”!

“Bury Yourself” by TEAM CANADA!

Shout out to the members of Team Canada: Alan Sacha Laskow, Jesse Kopala, Diego Fernandez, Kyle Hedley & Garrett McElroy!

Listen to the top 5 runners-up here

What is Collab Smash?

Collab Smash is a monthly competition that takes place in the URM Trading Grounds.

Teams of 2-6 URM members collaborate to write an original song based on a new challenge every month. The winning team members get a cool prize, and everybody has fun and makes new friends!

December’s challenge: create a song in the style of either Knocked Loose or a Will Putney production! The winners each receive a copy of STL Tones Tonality Will Putney or STL Will Putney Kemper Pack.

January’s Collab Smash does a complete 180: The prompt is to create a song in the style of a Tom Delonge or Angels and Airwaves style production.

Join Collab Smash!

You’re invited! Just click here to join the URM Trading Grounds, find your teammates and dethrone Team Canada!

We’re hiring: Digital Media Creator

If you love creating fun, engaging videos and graphics and are passionate about helping to create the next generation of audio pros, we want to talk to you!

Interested? Send your portfolio + a little blurb about why you are the right person for the job to [email protected]

About you:

A motivated, ambitious self-starter who can come up with great ideas and bring them to life as videos and graphics that live on Instagram, Facebook, YouTube and our members-only site

About us:

We are the world’s best online school for rock and metal producers, with thousands of members from all over the world.

Some of the mixers and artists we’ve had on the platform include Daniel Bergstrand + Meshuggah, Andrew Wade + A Day To Remember, Fredrik Nordstrom + Bring Me The Horizon, Nolly + Periphery and Kris Crummett + Dance Gavin Dance among DOZENS of others.

This role is part time for now, with the goal of going full time if and when it makes sense for both us.

Examples of the content we’re talking about:

Here’s the formal job description:

A jack of all trades operating as a “one person band,” the Digital Media Creator’s job is to produce content that drives brand, engagement and sales for URM. The DMC’s content should position URM as the leading source of education for rock and metal producers; put URM at the center of important conversations, debates and discussions; and drive leads/sales of products.

The DMC should be on the bleeding edge of social media trends, constantly pushing the envelope, trying new ideas, discarding the ones that don’t work and doubling down on the ones that do. With a “by any means necessary” attitude, the DMC should always be looking for the balance of quality and quantity that delivers maximum impact without sacrificing brand and credibility.

SOCIAL CONTENT

Produce graphics and videos for Facebook, Instagram, YouTube and any other relevant platform

  • Drive the entire process from concept to execution
    • For graphics: concept + create
    • For videos: produce, shoot, edit
  • Get help from other team members as needed

Deliverables

  • At least once per day on Facebook and IG
  • 1-2 per month on YouTube

Constantly innovate on formats, concepts and process to keep everything feeling fresh and relevant

ADS & PROMOS

Create ads for every month’s flagship content

  • NTM session
  • Fast Track

Create ads for higher-level offerings on a regular basis (~quarterly)

  • Nail The Mix
  • Enhanced
  • Mix Lab, Mix Rescue, One On Ones

GRAPHICS

NTM + Enhanced content, Courses

  • Hero images (Fast Tracks, NTM)
  • Slide templates (Fast Tracks)
  • Fast Track bumpers

YouTube thumbnails

Events

  • Summit
  • Meetups

REPORTING

On a monthly basis, recap the team on the state of the union: what we’ve been doing, what’s working, what isn’t and what’s next

The URM Home Studio Training Grounds podcast

If you’re a musician looking to get your home studio off the ground, this show is for you! Eyal Levi and Ryan “Fluff” Bruce sit down to talk shop about all the things they wish they knew when they were getting started.


Episode 1: Recording Guitars part 1

In this episode they talk about all things guitars: the simplest way to get started with recording guitars at home, some things you need to know to avoid damaging your gear, and a few simple but crazy-effective things you can do to level up your tones and more. If you want to record guitars at home without your amp catching on fire, make sure you give this one a listen!

Listen now


Episode 2: Recording Guitars part 2

In this episode they continue digging into guitars, focusing on how to get the best results when recording: the proper way to play when recording (and why it’s not the same as playing live), why it’s so hard to program guitars, and the critical importance of simple but often overlooked details (for example, the RIGHT way to use a tuner).

Listen now


Episode 3: Choosing The Right DAW

In this episode they dive deep into a hot topic: choosing the right DAW (Digital Audio Workstation). They touch on why you should NOT pick your DAW based on other people’s opinions, the pros and cons of many popular DAWs and most importantly, how to pick the one that’s best for YOU.

Listen now


Episode 4: Programming Drums

In today’s episode they talk about the biggest hurdle for many musicians: drums! Or more specifically, the ins and outs of programming MIDI drums for those who don’t have access to a drummer (or drummers who simply can’t record their kit at the moment).

Listen now

Episode 5: Vocals

In this episode they tackle what is probably the most fragile part of any recording: vocals. They talk about the keys to tracking a great vocal performance: how to read the vocalist’s state of mind, creating the right environment for them to do their best, and how to record great vocals in a home studio. 

Listen now

Episode 6: Bass

In this episode they focus on an incredibly important but often overlooked part of any metal mix: the bass guitar. Some of what they cover: why bass is the secret ingredient to great metal guitar tone, some tricks for recording bass (it’s not quite the same as guitar), and how to use synth and MIDI bass guitars for reference.

Listen now

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