Category: Season 3 – March

Live sound engineer and producer Steve Lagudi (Machine Head) joins us to talk about something that doesn’t usually get enough attention: live sound.

We’re all working on becoming better in the studio, but something a lot of mixers don’t spend enough time considering is live sound. Working live sound is a great way to boost your overall mixing skills. Just for starters, the discipline to commit to sounds is something all producers could stand to learn. Live sound is also it’s own beast in many ways. Steve Lagudi has a wealth of knowledge to share that’s going to help you tame that beast.

[smart_track_player url=”https://media.blubrry.com/urmpodcast/s3.amazonaws.com/urmpublicpodcast/season3/March2017/URMPC105-SteveLagudi.mp3″ title=”EP105 | Live Sound Masterclass With Steve Lagudi” image=”https://s3.amazonaws.com/urmpublicpodcast/Images/square+covers/URM_customPodcast_standard_02.jpg” social_email=”true” ]

“Your work is what does it, it’s not about your resume.”  – Steve Lagudi

ON THIS EPISODE, YOU’LL LEARN ABOUT:

– How to find your roadmap through live sound
– Steve’s method for EQing
– Getting kickass guitars in your live mixes
– How Steve handles guitar and bass for Machine Head’s live shows
– Handling DIs
– Why you shouldn’t be “that dick soundguy”
– And much, much more

Geek out with us on the Robert Scovill video discussed in this episode

Snooping on, “Big” Mick Hughes, Metallica’s longtime live sound engineer

Links:

Steve Lagudi Productions
Bob McCarthy’s Sound Systems” Design and Optimization
[ URM BLOG ] You Should Be Doing Live Sound – Part 1

Thanks for listening!
Sign up to our [cp_modal id=”cp_id_7934d”]mailing list[/cp_modal] to discover more!

Nail The Mix is our online mixing school that gives you REAL multi-tracks from REAL bands, plus a mixing class from the producer who recorded it. Past guests include Periphery, Chelsea Grin, Machine Head and State Champs. Join now for instant access!

Leave any questions, comments, or feedback in the comment section below.

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We’ve got JD, guitarist, screamer, and all around orchestral guru for Ice Nine Kills on board for some mind expanding discussion about integrating orchestration into the creative process.

It’s really difficult to figure out where to start with orchestration. It’s already a handful getting drums, bass, vocals, and guitar to sit happily together on the frequency spectrum. Add in a whole separate set of dozens of instruments and it seems like an impossible task. It’s not, and JD is going to get you on the right track to make it happen.

And if you have any questions for JD after listening to the podcast, send them to [email protected] with the subject line “Dear JD.”

[smart_track_player url=”https://media.blubrry.com/urmpodcast/s3.amazonaws.com/urmpublicpodcast/season3/March2017/URMPC104-JDofIceNineKills.mp3″ title=”EP104 | Orchestration With JD of Ice Nine Kills” image=”https://s3.amazonaws.com/urmpublicpodcast/Images/square+covers/URM_customPodcast_standard_09.jpg” social_email=”true” ]

“The thing that actually helped me learn the absolute most about my software and my ability to manipulate my software was making my 5000 track template.” – JD

THIS WEEK, YOU’LL LEARN ABOUT:

– How to begin to understand how to incorporate orchestration into your music
– What led JD to want to learn how to include orchestration in INK’s music
– Which sample libraries are go to’s for solid sounding productions
– The importance of a well done arrangement
– How to control and humanize a sample based orchestra
– Hardware suggestions for orchestration and what JD uses himself
– And much, much more

A Look at JD’s Mix Template

 

Thanks for listening!
Sign up to our [cp_modal id=”cp_id_7934d”]mailing list[/cp_modal] to discover more!

Nail The Mix is our online mixing school that gives you REAL multi-tracks from REAL bands, plus a mixing class from the producer who recorded it. Past guests include Periphery, Chelsea Grin, Machine Head and State Champs. Join now for instant access!

Leave any questions, comments, or feedback in the comment section below.

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Guitar god Keith Merrow (Alluvial, Conquering Dystopia) joins us to talk about his production techniques, being an entrepreneur, and what he’s learned while building his music career.

Keith has demonstrated over his years in the industry that he’s got the midas touch. From his guitar chops, to songwriting, collaborations with gear companies, and his Youtube success, the guy turns everything he lays his hands on to gold. Lucky for us, he’s game to share insight into how he’s managed such a prolific career. If you want to carve your own path, regardless of what might stand in your way, this episode is for you.

[smart_track_player url=”https://media.blubrry.com/urmpodcast/s3.amazonaws.com/urmpublicpodcast/season3/March2017/URMPC103-KeithMerrow.mp3″ title=”EP103 | Keith Merrow” image=”https://s3.amazonaws.com/urmpublicpodcast/Images/square+covers/URM_customPodcast_standard_07.jpg” social_email=”true” ]

“There’s plenty of ways to get your music out there, and even get it distributed on any platform you could possibly imagine, without ever even contacting a record label.” – Keith Merrow

THIS WEEK, YOU’LL LEARN ABOUT:

– Keith’s thoughts on DIY vs. label support
– What it’s taken for him to get to where he is now in the industry
– The importance of being passionate about your craft
– Risks, and why you should take them
– The secrets to Keith’s amazing guitar tones
– When it’s ok to use an ISO cab
– Ways to create an effective space for creativity
– The importance of aesthetics
– Bass production tips
– And much, much more

Keith’s Guitar Workbench:

Links:

KeithMerrow.com, where you can pick up the new Alluvial album, “The Deep Longing for Annihilation“
Episode 90 with Misha Mansoor

Thanks for listening!
Sign up to our [cp_modal id=”cp_id_7934d”]mailing list[/cp_modal] to discover more!

Nail The Mix is our online mixing school that gives you REAL multi-tracks from REAL bands, plus a mixing class from the producer who recorded it. Past guests include Periphery, Chelsea Grin, Machine Head and State Champs. Join now for instant access!

Leave any questions, comments, or feedback in the comment section below.

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#party, people! It’s the podcast’s 2 year anniversary, and Josh Newell is back to celebrate with us.

It’s not all fun and games though. You’re in for some quality discussion about Josh’s experiences working with Linkin Park. We also take turns ranting about horrible assistants that live to make our lives harder and cheap equipment that does nothing but personify the spirit of “suck.” So, sit back, relax, and happy anniversary.

[smart_track_player url=”https://media.blubrry.com/urmpodcast/s3.amazonaws.com/urmpublicpodcast/season3/March2017/URMPC102-JoshNewell.mp3″ title=”EP102 | 2 Year Anniversary Special With Josh Newell” image=”https://s3.amazonaws.com/urmpublicpodcast/Images/square+covers/URM_customPodcast_standard_04.jpg” social_email=”true” ]

“I’m going to fight you on this; I actually like the St. Anger snare.” – Joel Wanasek

ON THIS EPISODE, YOU’LL LEARN ABOUT:

– The technical trials and tribulations of getting this podcast out to you guys
– Josh’s computer rig update guidelines for a big project like Linkin Park
– The potential for cabin fever when you work on a project for a year and a half
– Getting mad about getting mad at crappy assistants
– The pros and cons of big productions and small productions
– The importance of fresh strings and drum heads
– Why you don’t want to record cheap drum kits and how to avoid getting stuck having to
– The potential value of bad tones
– And much, much more

Links:

Josh’s website
Josh’s previous appearance on the URM Podcast
NRG Studios
Sphere Studios

Thanks for listening!
Sign up to our [cp_modal id=”cp_id_7934d”]mailing list[/cp_modal] to discover more!

Nail The Mix is our online mixing school that gives you REAL multi-tracks from REAL bands, plus a mixing class from the producer who recorded it. Past guests include Periphery, Chelsea Grin, Machine Head and State Champs. Join now for instant access!

Leave any questions, comments, or feedback in the comment section below.

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